Foreign Rights

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Enzo Traverso was born in Italy in 1957. After having lived and taught in France, he now teaches humanities at Cornell University (Ithaca, New York). He is the author of several books, translated into a dozen languages, including, in English, The Origins of Nazi Violence (New Press, 2003), Fire and Blood. The European Civil War, 1914–1945 (Verso, 2015), The New Faces of Fascism. Populism and the Far Right (Verso, 2019).

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Emmanuelle Walter is an independent journalist. She has worked for Liberation, Le Nouvel Observateur, ARTE Radio and Terra eco. Originally from France, she lives in Montreal.

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Emmanuel Burdeau, film critic, has worked for France Culture, Mediapart, among others and was editor-in-chief at Les Cahiers du Cinéma.

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The Élisabeth-Bruyère School of Social Innovation is the first school of social innovation in Canada. Its approach to social innovation is clear: its objective must be social transformation. Its pedagogical approach is founded on practical engagement, block-style teaching, and integration with the Mauril-Bélanger Social Innovation Workshop.

Nestled in Saint Paul Universities intimate campus, one of Canada’s oldest institutions for higher education, the School of Social Innovation brings together small groups of active and engaged students, with a dynamic group of professors who have experience in both the theory and practice of social innovation.

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Daniel Zamora is a Professor of Sociology at the Université Libre de Bruxelles. He works on the conceptulizations of poverty in 20th century, on inequality and modern intellectual history. More broadly, his work has been published in Le Monde Diplomatique, Jacobin, Los Angeles Review of Books, Dissent, among others and translated in more than 15 languages.

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Journaliste et essayiste, Cyril Azouvi a entre autres publié Roissy, un monde secret. Enquête dans le plus grand aéroport d’Europe (Denoël, 2012).

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Christian Laval is Professor of Sociology at the Université de Paris Ouest Nanterre.

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Bernard Émond is a director an screenwriter. Primarily a documentarist, he produced La femme qui boit (“The Woman Who Drinks”) in 2001, which was selected for the International Critics’ Week at the Cannes Festival.

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